![]() Each variation focuses on different guitar techniques while at the same time venturing into harmonic territory that is very much of Pujol's time, the later Romantic and early modern periods of classical music. Volume 4 offers the short Exercise 19 from the influential guitar method by 19th-century giant Dionisio Aguado and follows it with Estudios LIV through LXX, 17 variations - the final one a fugue - composed by Pujol. While el segundo libro and el tercero libro both contain studies grouped together at the end of their respective volumes, Pujol makes a departure in el cuatro libro, tying a number of estudios together in the form of a theme and variations. ![]() Meant to reinforce various aspects of classical guitar technique, these selections are very musical - and surprisingly modern at times. As with volumes 2 and 3, libro quartro ends with a number of studies. Volume 4 of Emilio Pujol's "Escuela Razonada de la Guitarra" - called el cuatro libro in Pujol's prefecio to the Spanish/French edition of his detailed 20th century guitar method - is less well-known in the English-speaking world because it was not part of the three-volume Editions Orphée English translation known as "Guitar School."īut Volume 4 is full of technical exercises and instructions - rendered in Spanish and French, of course. Emilio Pujol's 17 variations on an exercise by Dionisio Aguado Their place in the four-volume "Escuela Razonada de la Guitarra" and the teacher/author/composer/performer's body of work ![]()
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